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Pigments for Blown Film

Pigment recommendations for blown film with technical checks and export enquiry support.

Blown film extrusion inflates a molten tube into thin film for bags, liners and packaging, combining thin gauges with biaxial stretch that ruthlessly exposes poor dispersion as specks, gels and streaks. Organic pigments must disperse extremely fine, survive the extrusion melt, and, in flexible polyethylene film, resist migration and blooming. Buyers should confirm gel-free, speck-free dispersion at the running gauge, low-migration grades for packaging that contacts goods, heat stability matched to the resin, and, for pigmented films that must not block, freedom from any surface tack or bloom.

At a glance

What Pigments for Blown Film covers

Stretch-exposed dispersion

The blown bubble stretches film thin, exposing any agglomerate as a speck or gel, so ultra-fine dispersion is essential.

Gel and streak freedom

Poorly dispersed pigment causes gels and streak lines in the bubble; quality masterbatch keeps blown film clean and uniform.

Low migration flexibles

Flexible polyethylene bags let pigment migrate, so use non-blooming grades that will not transfer to contents or block wound layers.

Resin-matched heat rating

Confirm the pigment survives the polyethylene extrusion melt without shade shift so blown film colour stays consistent through the run.

Recommended pigments

High-demand grades to consider

A starting shortlist of export-grade organic pigments relevant to Pigments for Blown Film. Open any grade for shade, fastness and packing detail, or send your requirement for a matched recommendation.

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Answers

Pigments for Blown Film — frequently asked questions

How does the blown film process expose pigment defects?

The molten tube is inflated and stretched biaxially into thin film, thinning any pigment agglomerate into a visible speck, gel or streak. This makes blown film especially unforgiving of poor dispersion. High-quality, finely dispersed pigment, typically via masterbatch, is needed to run clean, defect-free film.

Why choose low-migration pigments for blown polyethylene bags?

Blown film is usually flexible polyethylene made into bags and liners that contact goods and are wound on rolls. Migrating pigment can bloom to the surface, transfer to contents, or cause layers to mark each other. Low-migration grades keep colour locked in the film and prevent contamination.

What causes streaks in coloured blown film?

Streaks usually come from inadequately dispersed pigment or uneven masterbatch mixing, showing as lines running with the film. Good masterbatch, correct let-down ratio and proper screw mixing prevent them. In blown film the stretch amplifies any unevenness, so dispersion consistency directly determines a streak-free appearance.

Is blown film pigment selection different from cast film?

Requirements overlap strongly, fine dispersion, heat stability and low migration matter for both. Blown film's biaxial stretch and bubble stability make it particularly sensitive to gels and specks, so dispersion quality is emphasised even more. Otherwise the same pigment selection logic applies to both film routes.

Buyer knowledge base

Pigments for Blown Film: a quick sourcing guide

How professional buyers de-risk a pigment purchase: sampling, fastness verification, documentation and clear commercial terms.

Shade matching

Target a physical standard or current reference; the lab confirms undertone and tinting strength.

Migration control

For plasticised and polyolefin systems, grades are chosen to resist blooming and plate-out.

Compliance on file

REACH and RoHS declarations and correct HS codes prepared for your market's customs.

Trial then commit

Approve shade, strength and dispersion on a sample before any production quantity.

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